The Cave Of Altamira Views

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Its special relevance comes from the fact that it was the first cave in which prehistoric cave paintings were discovered. When the discovery was first made public in 1880, it led to a bitter public controversy between experts which continued into the early 20th century, as many of them did not believe prehistoric man had the intellectual capacity to produce any kind of artistic expression. The acknowledgement of the authenticity of the paintings, which finally came in 1902, changed forever the perception of prehistoric human beings.

Archaeological excavations in the cave floor found rich deposits of Upper Solutrean (c. 18,500 years ago) and Lower Magdalenean (between c. 16,500 and 14,000 years ago) artifacts. These artifacts are part of the Paleolithic Age, or Old Stone Age. The cave was inhabited only by wild animals in the long period between these two occupations. The site was well positioned to take advantage of the rich wildlife that grazed in the valleys of the surrounding mountains as well as permitting the occupants to supplement their diet with food from nearby coastal areas. Around 13,000 years ago a rockfall sealed the cave's entrance preserving its contents until its eventual discovery which was caused by a nearby tree falling and disturbing the fallen rocks.

Human occupation was limited to the cave mouth although paintings were created throughout the length of the cave. The artists used charcoal and ochre or haematite to create the images, often scratching or diluting these dyes to produce variances in intensity and creating an impression of chiaroscuro. They also exploited the natural contours in the cave walls to give a three-dimensional effect to their subjects. The Polychrome Ceiling is the most impressive feature showing a herd of bison in different poses, two horses, a large doe and a possible wild boar.

This art is dated to the Magdelenean occupation and as well as animal subjects also included abstract shapes. Solutrean images include images of horses, goats and handprints created from the artist placing his hand on the cave wall and, blowing pigment over it leaving a negative image of his palm. Numerous other caves in northern Spain contain Palaeolithic art but none is as advanced or well-populated as Altamira.